The artist discovered tapestry techniques bound to the very primary essence of textiles, which she finds especially attractive given her lifelong immersion in them. It presents an incredible opportunity to create what she loves most: wild textures, volumes, and shapes—a fundamental pursuit in her work as she seeks a monstrous elegance. 
 
She combines this technique with raw materials from her surroundings, finding in them a wealth of interesting symbols such as tradition, handcrafted and artisanal work, and links to ancient occupations like shepherding (with wool from the sheep she helps to shear) and cultivation, all of which she strives to valorize. She selects these materials for their intrinsic beauty, allowing them to express their raw, pure allure. Wool, esparto, carritx, and rafia (among others) in their primary forms are irresistibly attractive to her; although they are typically processed for use in baskets, sweaters, or chairs, she cherishes their natural state and wishes to share that sentiment.